Mennonite Humble and Other Pathways to Hell

written by AMANDA GROSS

Around the turn of the 20th Century there was a Mennonite revival in which my ancestors enthusiastically dove into the furnace of fear-based fire and brimstone thinking, a dramatic evangelical retrofitting of our more level-headed past. After generational trauma and forced migration, after centuries of North American assimilation into whiteness, the silent suffering of stoicism, and a tight, interweaving of families to keep the community close, what prompted Mennonites to want to feel again?

Generational cycles repeat.

Autumn's Fall by Amanda K Gross

Autumn’s Fall by Amanda K Gross

In my generation of ever-evolving materialism – the disconnect of object from maker, of consumer from consumed, of producer from human, of owner from owned – the revival tent wooed our souls. By revival tent, I mean the Georgia Dome, convention centers, and mega churches whose Jesus-themed rock concerts, highly-produced light shows, and (always) attractive worship teams led us through a phenomenal circus of sensuous attraction, suspense, doubt, guilt, fear, altar call and response, release, and soothing lullaby of assured rightness. Whew. An emotional, spirit-full answer to the emptiness of white, middle-class (sub)urban life that plagued our souls. While many of my classmates looked to drugs, sex, and alcohol to combat the loneliness, I hid in church.

Church felt safer and was more convenient. It also offered something I did not readily encounter in the frenetic halls of high school or the fast-moving rivers of Atlanta highway. It offered belonging.

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Schoolhouse Quilt by Amanda K Gross

While it is easy to see more clearly in retrospect, my church experience is and was nuanced and full of contradictions. In church I found both the spaciousness of expression and the denial of self. I felt intense belonging and severe rejection. I knew freedom and oppression. It was in my small home congregation that I was encouraged to lead. I led at the piano. I led worship. I led singing. I performed. I read. I played. I knew everyone. I wore bright dresses (as I got older sometimes short and sometimes low-cut, though rarely both) and an array of fancy hats. My eccentricity was nurtured. My brightness loved. Growing up, I was as loud and assertive as I wanted to be.

And throughout those same years, I learned to repress and deny. I learned to intentionally and then later less intentionally, ignore the small voice of wisdom within. I learned to self-censor, to compartmentalize, and to hide. When I was around seven, we were learning the story of Esther in Sunday School. Finally a female biblical character with agency! Finally a protagonist with whom I could identify! In my loudly relational way, I let every adult in sight know how thrilled I was that there was a book in the bible written by a woman. Turns out not. An elder in the church, also my friend’s grandpa, was quick to correct my nonsense. The story of Esther was not written by a woman he said matter-of-factly, in fact, there are no books in the bible written by women. And also, why would I foolishly deign such a thing?

Devastation. Ultimate betrayal. Not all bible stories are created equal. How could a community that nurtured my gifts undermine me so severely? I know I am not the only one with this story.

Domesticated #2: Potholder by Amanda K Gross

Domesticated #2: Potholder by Amanda K Gross

My therapist and I (well, mainly just I) have been considering what makes me feel safe in relationships. The quick answer is that I feel safe when there is space in the relationship to be fully myself. At church I learned that this is always a compromise. At church I learned to settle.*

One of the shared agreements we use at Youth Undoing Institutional Racism is Take space. Make space. The older I got, the less taking space was encouraged. I learned the skill of making space for others, an obvious virtuous path for good little white girls and budding young women. Socially and politically this seemed the strategic option for a wide-array of friends, emotional safety, and inspiring the trust of all kinds of authority figures. Like other versions of sneaky White Lady Ego, Mennonite Humble is the art of appearing to make space for others while remaining firmly in control (of decisions, of looking good, of one’s own self-righteousness). This North American Mennonite cultural value is consistent with aspects of White Liberalism and various Protestant traits. In whiteness, Mennonite Humble maintains a facade of sharing and accommodation while keeping one’s power and privilege firmly intact. This is not all rainbows and puppy dogs (or shoofly pies and pfeffernusse) for the Humble one. The downside being that in making space so habitually for others you end up losing sight of your own self. I am here to testify.

We all have these journeys, if we choose to take them, to sort through the muck and recover our intuitive selves. Some people are more in touch with their mucks. I am trying to be very in touch with my muck. I would warn you not to go it alone, but it’s part of the deal. You can only go at it alone.

Martyr's Mirror Comes Home

Martyr’s Mirror Comes Home by Amanda K Gross

Everyday my Mennonite Humble muck seeps through. Most recently this has developed into a passive, reactionary way of being in the world. I have been letting circumstances direct my decisions. I have been hanging back to observe what is. I have been graciously allowing others to go first, to put themselves out there, to take the risk, to show themselves, to set the standard and the tone. I have been hesitant in my confidence. In an effort to right rigidity and extend relationship, I have neglected the development of my vision. I have forgotten to discern my preferences and to declare my desires. I have overlooked my strengths.

My Mennonite Humble stems from a deep fear of imposition, of colonization, of not wanting to do harm. But in all of this not, I am harming myself. It is an illusive haven of stagnation. I do not have to take risks. I do not have to give up the privilege of Mennonite Humble thus I do not have to change. My Mennonite Humble takes swords and turns them into ploughshares. Ploughs being the primary weapon of genocide used by my peaceful agrarian ancestors in the colony of Pennsylvania against the indigenous population. When Mennonite Humble no longer works and when Mennonite Humble never did, what’s a white girl to do?

It is time to call on my creativity, my passion, and my deft ability to brainstorm long lists. It is time to get in the kitchen and (vegetarian) stew. It is time to sit still and listen to my center. It is time to move some furniture out the way. It is time to make space for me.

Hibernation by Amanda K Gross

Hibernation by Amanda K Gross

*A shoutout to my housemates for identifying this pattern of settling in my life.

Status Quo Passing

WRITTEN BY Amanda Gross

What I learned from feminism is that my experience is a valid way of knowing. What I learned from womanism is that not all women have the same experiences. What I learned from queering these is that not all white women have the same experiences, that language matters, and that I need to be consciously deliberate when discerning when and how to name, when and how to include and exclude. I am learning the power of precision of language and also its limitations.*

We can use words to categorize and separate. We can use words to erase. We can use words to assert experience and we can use words to resist.

The Archer (Detail) by Amanda K Gross

The Archer (Detail) by Amanda K Gross

I believe that the naming of white womanhood as a shared identity and collective experience within the context of White Supremacist Patriarchal Capitalism is powerful because of the particular role white women have played in upholding these interlocking structures and because the existence of white womanhood reflects it. There is no white womanhood without White Supremacist Patriarchal Capitalism and there is no White Supremacist Patriarchal Capitalism without white womanhood.

Within the extensive humanity categorically imposed on by “white womanhood” is a range of diversity. Subsequently, resistance comes in many forms. Informed by the resistance struggles of People of Color and Women and Queer Folks of Color in particular who have embodied this wisdom for generations,  my resistance emerges from cycles of self-reflection, a never-ending journey of identifying with, rejecting, and reclaiming the words attributed to me. I move through this world as a white lady. And in my thirty-two-and-a-half years in this body I have always been able to pass as status quo.**

White Camo by Amanda K Gross

White Camo by Amanda K Gross

As a generally nondescript white woman, my external appearance easily blends into the standard of white hetero-normativity. In other words, when you see my small to medium 5 foot 7 inch frame walk down the grocery store aisle, when you see my straight naturally light brown hair pulled back in a pony tail, my bare face, peppy earth tone outfit, and sensible shoes, you don’t initially think, “Now, there goes someone rejecting White Supremacist Patriarchal Capitalism.” A more typical response is that I am not seen because I pass so seamlessly into the seas of whiteness. I am easily missed in the branding of good little white girl and well-intentioned white lady. In my ninth grade math class the (also white) teacher could not remember my name, naming me and the other white girl in the class the same all school year long.  My status quo white-womaness provided camouflage into the institutional (white) walls. Blending into whiteness offered far less scrutiny but came with the erasure of identity and self, a cancerous conformity that has infiltrated at the cellular level. There are still so many times that I mistake it for Me.

In addition to not being singled out for notice or scrutiny, I receive the general magnanimous benefit of the doubt, even when I am in the wrong. Like that one time in college I was speeding 50 in a 25 mph school zone, a police officer followed me the entire time. When he finally pulled me over, he glanced at my license and registration, looked me up and down and gave me a warning with stern politeness. I did not invoke white woman tears. I did not have to. The thing about being a status quo passing white woman is that there is choice.

Earlier this year I was summoned for jury duty. When my name was called and the attorneys asked me if I could be fair and impartial, my response, verbatim:”I don’t believe in impartiality.”  An hour later I was selected as a juror. Maybe it was the sweater or the ponytail, but despite my very clear testimony to the contrary, those attorneys knew that I was the status quo white lady they had been waiting for. They had already made up their minds based on my appearance and not on my words. So that also in status quo passing white womanhood, many choices have already been made.

Daisy, Framed by Amanda K Gross

Daisy, Framed by Amanda K Gross

Passing has its added unearned advantages. I get access to spaces and am privy to conversations for status quo white ears only. I can collect intel by the water cooler, glide through security, get hired for the job, and inspire the confidence of the oblivious, the boastful, and those most intent on preserving the status quo. The white privilege I have grants me access to systems and institutions, yet even within whiteness, passing for status quo allows me greater access than, for example, my white queer siblings. This ability to pass can be a strategic blessing but also a dangerous, self-inflating illusion – just like whiteness. Harnessing this level of institutional access for anti-racist change is a critical but tremendous responsibility and requires extensive and ongoing communication, self-reflection, and accountability to People of Color and other white folks who are engaging in the work of anti-racism. How do I know and name my power? How do I use it wisely?

Recently, in conversations with other anti-racist white organizers, my language and organizing around the shared experience of white womanhood has been challenged as linear in thought with the potential consequence of further dividing white people, rather than fostering unity around the shared experience of whiteness. While I understand and strongly adhere to using the lens of Undoing Racism – especially because of white folks’ tendencies to promote our experiences being in oppressed groups as an excuse to not confront our own internalized racism – championing unity without analyzing power within whiteness does us all a disservice. This promotes a false unity rather than acknowledging the lived and embodied disunity, an acknowledgement necessary to detangling the interlocking origins of oppression. Unpacking my whiteness means combing through status quo white ladyness for the explicit purpose of deepening our collective understanding of whiteness and the work of resistance. Unpacking my whiteness means courageously recovering the knowing of my body and the knowing of my experience in order to further collective liberation.

 

*I learned these ideas about language and when to include and exclude from the wisdom and teaching of Cavanaugh Quick, who is brilliant.

**“What do we mean by the term “white woman”? “When we say “white woman,” we are not necessarily referring to a personal identity. We are referring to a dominant or mainstream identity with certain images, messages and narratives that have been used to uphold systems of oppression. It is an identity that many who have experienced socialization as white and female often have to negotiate with, whether by resisting, conforming, imitating, subverting or distancing. It’s this negotiation and relationship to “white women” that we are investigating, whether it is our current identity, a past or new identity, or a personal or political connection to the effects of this identity. In our dialogues and workshops we honor every body’s unique relationship to the themes explored. Even if we have never had a Barbie, we know what she looks like, what she symbolizes and what oppressions are committed in her name.”